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ACCUMULATION – ON COLLECTING, GROWTH AND EXCESS
14.6. – 27.7.25

Second Sequence

Gianni Motti, Moneybox, 2009, Sammlung Migros Museum für Gegenwartskunst, © Gianni Motti. Photo: Stefan Altenburger, Zurich

Bare Minimum Collective, An Accumulation of Care, 2025, courtesy of Bare Minimum Collective, commissioned by Migros Museum für Gegenwartskunst. Photo: Studio Stucky

Bare Minimum Collective, An Accumulation of Care, 2025, courtesy of Bare Minimum Collective, commissioned by Migros Museum für Gegenwartskunst. Photo: Studio Stucky

Bare Minimum Collective, An Accumulation of Care, 2025, courtesy of Bare Minimum Collective, commissioned by Migros Museum für Gegenwartskunst. Photo: Studio Stucky

Sandra Poulson, Hope As A Praxis, 2021, courtesy of the artist und Carlos Marsano. Photo: Stefan Altenburger, Photography Zürich

Mierle Laderman Ukeles, Touch Sanitation, 1979–1980/2017, Sammlung Migros Museum für Gegenwartskunst, © Mierle Laderman Ukeles. Photo: Mierle Laderman Ukeles, Touch Sanitation, 1979–1980/2017, Sammlung Migros Museum für Gegenwartskunst, © Mierle Laderman Ukeles. Photo: Stefan Altenburger Photography, Zürich

Joana Hadjithomas & Khalil Joreige, Borehole 1, 2019, Sammlung Migros Museum für Gegenwartskunst, © Joana Hadjithomas & Khalil Joreige. Photo: Studio Stucky

Mimi Ọnụọha, These Networks In Our Skin, 2021, courtesy of the artist. Photo: Studio Stucky

Yuri Pattison, Infinite Corridor, Infinite Sunset (Remove the Blue), 2017, Sammlung Migros Museum für Gegenwartskunst, © Yuri Pattison. Photo: Stefan Altenburger Photography, Zürich

Daniel Arnan Quarshie, Into the Badlands, 2024 (links), Kwatserekwa Mpaboa, 2024 (rechts), Courtesy of the artist. Photo: Studio Stucky

Daniel Arnan Quarshie, Kwatserekwa Mpaboa, 2024, courtesy of the artist. Photo: Studio Stucky

Wang Bing, 15 hours, 2017, courtesy of the artist and Galerie Chantal Crousel, Paris, Photo: Studio Stucky

Whether money, property, clothing or technical devices – material possessions shape our everyday lives. But immaterial goods such as social status, influence, wealth and knowledge also accumulate. Together, they shape how people are perceived and valued in social and cultural contexts.

However, this ongoing accumulation leaves traces – visible signs as well as deep scars. They can be seen in the environment, in bodies, and in communities. At the same time, the principle of accumulation acts as the driving force behind the global movement of people, goods and capital.

The exhibited works illustrate the mechanisms of exploitation of natural resources in the Anthropocene – the age in which humans have become the central influencing factor of planetary processes. They show the toxic legacy of the fast-fashion industry – or the growing mountains of waste. They address global financial flows that intervene deeply in political and cultural processes. They reveal colonial narratives – such as the entanglement of mahogany wood with the violent history of the transatlantic slave trade. And they focus on digital infrastructures, such as underground cable systems that globally connect us to our present.

The second sequence of this exhibition also shows how new forms of resistance emerge from the ruptures of accumulation. The works on display visualize alternative strategies of care and collective responsibility towards people and the planet. Accumulation therefore invites visitors to think about new conceptions of society.

With works by: Bare Minimum Collective, Wang Bing, Anne-Lise Coste (Uruk), Rhea Dillon, Rindon Johnson, Nils Amadeus Lange, Mimi Ọnụọha, Sandra Poulson, Daniel Arnan Quarshie und Raqs Media Collective

From the Migros Museum für Gegenwartskunst collection: Art & Language, Clegg & Guttmann, Joana Hadjithomas & Khalil Joreige, Gianni Motti, Yuri Pattison and Mierle Laderman Ukeles

Curated by Tasnim Baghdadi (Museum co-director – programmes) and Nadia Schneider Willen (Museum co-director – collection) with Paula Thomaka (assistant curator) as well as Linda Addae and Mirta Gianocca (trainee / curatorial assistant)

→ List of works

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Visitors' guide Easy to read

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EINFÜHRUNG IN DEUTSCHSCHWEIZERISCHER GEBÄRDENSPRACHE (DSGS)

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POSTER ACCUMULATION - ON COLLECTING, GROTH AND EXCESS, SECOND SEQUENCE CHF 25

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The Migros Museum für Gegenwartskunst is a Migros Culture Percentage institution and thus part of the social commitment of the Migros Group: engagement.migros.ch

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